HTC One S shows up on T-Mobile's site, reveals its $599 price (update: $200 on-contract at Best Buy)

We know T-Mo's got a special HTC One S event in the works for later today, but it seems like someone's a tad bit trigger happy and decided to out the handset ahead of time. Currently posing freely on the carrier's site, this "Gradient Blue" flavor of the One S is showing a hefty $599 retail price, though surely will be lower with a subsidized deal in place. Aside from revealing how much damage it'll do if you take the no-contract route, T-Mobile's page is also listing the full set of features and specs packed within the One Series member. All the details should be officially unveiled soon, but until then you can head over to the source below, where you can add your name to the "Notify me" list if you plan on snatching one of these Sense 4-packing beasts.

Update: Well, that didn't take long. The phone has now also turned up on Best Buy's website, where it's listed with a slightly lower $550 off-contract price or the usual $200 on a two-year term. Orders are expected to ship after April 25th.

[Thanks, Will]

HTC One S shows up on T-Mobile's site, reveals its $599 price (update: $200 on-contract at Best Buy) originally appeared on Engadget on Wed, 18 Apr 2012 15:24:00 EDT. Please see our terms for use of feeds.

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Romney's foreign policy may mean hardball is back (The Arizona Republic)

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Coffee Meets Bagel Turns Online Dating Into A Daily ?Deal?

Technology is all about convenience. At least, that's where it's headed. I can now ask someone to run across the city and pick up a package for me on Zaarly (which I did), Songza chooses my music playlists for me, and I can literally push a button and ask my phone where the nearest burger joint is (even if she never quite understands me). It's incredible. And now that same convenience is entering into our love lives in the form of a site called Coffee Meets Bagel (CMB), which just launched today in NYC.

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Curved panel gives more depth to 3D projections, we take a look at NAB (video)

What we're about to show you is decidedly low-tech -- it's essentially a projection screen with a sharp curve at the bottom -- but the resulting effect conveys a more realistic 3D image, for certain applications, at least. The Communications Research Centre of Canada was on hand at NAB to demonstrate a small variety of lab projects, with agency representatives hoping to make an impression on attendees, who will theoretically apply these concepts to actual products, with no licensing fee making its way back to the True North. This particular project employs an off-the-shelf Optoma 3D projector, active glasses and a white screen positioned with a dramatic curve, that essentially works to provide a platform for 3D subjects to stand on.

Believe it or not, the config really does make a difference, enabling a more immersive experience that makes 3D objects appear more realistic, assuming they're positioned in such a way that they're standing on the near-horizontal portion of the screen. Research Technologist Ron Renaud says that such a configuration would be ideal for video conferencing -- it's still no match for an in-person meeting, but it's certainly an improvement over the traditional approach. The demonstration projector wasn't configured to compensate for the curve, which theoretically makes it subject to warping, though we didn't notice any issues at the show. Like all 3D displays, you'll really need to see it for yourself to get an accurate impression of the experience, but jump past the break for an overview with Renaud, and a closer look at the screen.

Gallery: Curved 3D panel hands-on

Continue reading Curved panel gives more depth to 3D projections, we take a look at NAB (video)

Curved panel gives more depth to 3D projections, we take a look at NAB (video) originally appeared on Engadget on Tue, 17 Apr 2012 16:33:00 EDT. Please see our terms for use of feeds.

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98% Jiro Dreams of Sushi

Jiro Dreams of Sushi is a mouth watering, passionate documentary about the worlds' most acclaimed Sushi chef, and I'm not sure whether to recommend eating first, or going to the film hungry. No sushi that you have at your local $6.99 lunch special could possibly live up to the ideals (just by looking at his creations) that the obsessive compulsive Jiro reveals on director Gelb's HD camera. No sushi at your $100 per person with Sake will live up to it either.The quiet reverence in which Jiro is held by all the characters in the film, (a food critic, his sushi chef sons - terrified of letting down their fathers exacting legacy, the fish market and rice vendors) eventually rubs off on any viewer of this film. The man's obsessive compulsion and striving for excellence, even in his 85th year are truly humbling, especially for those of us who feel like we are too easy going and need to work on our attention to detail. The film delves into Jiro's early life. He was born poor and abandoned by his parents, yet possessed an inexorable inner drive that carried him to the height of sushi making. The film implies that this inner drive is innate, and makes me wish I had more of it myself. However, the film doesn't quite reveal how Jiro became Jiro. This much is clear - the man simply will not settle for anything less than full blown excellence, from the tunas he buys for his shop, to the work of his revolving door of apprentices and most emotionally, his terrified yet proud sons. He has no interests in life, except for making better and better sushi, and as in the title, this is what he sees in his dreams. Therefore, I'm not sure he'd be the most delightful company at a party but he's great company in this film. The film opens up at the fish market with Jiro's son shopping for the days ingredients, and a strange, mostly unexplained trip that Jiro makes to meet his childhood friends in his home village (that where the above mentioned grave scene takes place). He is like a hometown boy made good and everyone gets their picture taken with the maestro.Gelb uses a very simple storytelling technique by letting the players tell their own stories as pertaining to Jiro. Jiro himself is open and self critical, and answers all questions honestly, but he is not a poetic man with any kind of Freudian insight to his inner workings. We can see him at the grave of his parents, dutifully honoring them, then under his breath he says 'I don't know why I take care of them. They never took care of me.' A staggering and deep insight, one of the only ones in the film, but that's all you get. As for style, it effective but not very arty or pretentious. Gelb lets the HD sushi in close ups tell their own delicious story. As for people, we are mostly in close ups, and close quarters at Jiro's joint. Amazingly, Jiro does not have a lavish restaurant, but a hole in the wall in the lobby of an office building where he serves her creations at a 10 seat establishment that is reserved at least a month in advance. The film is very narrowly focused, and it does not hold interest for its entire 81 minute running time. It would been a more effective piece at about an hour or less, but I recommend it most highly, though it may not appeal much to non-foodies.

April 13, 2012

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'Rock Of Ages' Spotlights A Tom Cruise You've Never Seen

'He's a guy who loves challenges,' enthuses director Adam Shankman, as part of MTV News' Summer Movie Preview Week.
By Amy Wilkinson

Tom Cruise in "Rock of Ages"
Photo: Warner Bros

This summer, the city — and the cinema — will be built on rock and roll when "Rock of Ages" packs its ax, journeying from Broadway to a theater near you.

Set in Los Angeles and featuring the biggest jams of the '80s, the movie musical follows busboy/ aspiring rocker Drew Boley (played by Diego Boneta) as he falls for new-in-town Sherrie Christian (played by Julianne Hough) and lands a gig opening for rock legend Stacee Jaxx (Tom Cruise). All the while, greater forces are at work trying to convert the drug- and sex-fueled Sunset Strip into a safer, gentler piece of prime real estate, much to the chagrin of the bandannaed masses.

In anticipation of opening night (June 15), MTV News caught up with director Adam Shankman ("Hairspray") to chat about Tom Cruise's crazy work ethic, '80s nostalgia and the perils of working with a baboon.

MTV News: Movie musicals are nothing new for you. What is it about translating a work from stage to screen that is so compelling?

Adam Shankman: It's a matter of, I guess, finding a story you enjoy telling and a medium you enjoy. I grew up doing musical theater, so it's something that's in my bones, and I love it. I feel it's always informed a lot of the way I think and the way I approach material. It's just sort of a natural thing for me to be doing, given my history with music and dance and all that. All I ever wanted to be in my life was a chorus boy, so how things turned out couldn't be a bigger surprise to me.

MTV: What was it specifically about "Rock of Ages" that drew you in?

Shankman: I thought, "Holy moly!" Here's an opportunity to make a musical truly for straight men. I mean, straight guys walk into the theater and they know every word of the music. So it's a completely different experience from girls having to drag their boyfriends to boys dragging their girlfriends.

MTV: There's been a lot of '80s nostalgia in pop culture lately. Is that an era you're particularly nostalgic for?

Shankman: I mean, that was my time. I graduated high school in '82. My dad's office was on Sunset. I saw my first concert at the Roxy. I was choreographing music videos in '87 when, it happens, I actually choreographed a video for someone whose music is in the movie. It was, you know, the last time I remember everything being kind of innocent. Everything kind of shifted then, suddenly fun became drug addiction and crazy, casual sex became AIDS. It was the end of all of that.

MTV: Diego Boneta, who plays Drew, is a fairly under-the-radar talent right now. How did he land the role?

Shankman: His audition just sort of stopped me in my tracks. I saw it on my casting website. I've seen hundreds and hundreds of guys on there, and his stopped me because there was no acting — he just was that guy. And he also sang so great. In the best casting moments, you're looking at somebody and saying, "How much do I have to do with this person to get them there?" I just looked at him and he just dropped into it very easily and naturally. And then, of course, there's that face.

MTV: One of the film's many familiar faces is Tom Cruise, though I have a feeling this is a Tom Cruise we've never seen before.

Shankman: We have definitely never seen him do this before. A lot of the joy in this for him was just the adventure of trying something that was so foreign. I think part of the reason that he said yes to doing it was that he was so stunned that he was asked, and he thought, "Oh my god, of all the millions of things I've done in my career, nothing has ever been like this." He's a guy who loves challenges.

MTV: We did see him sing in "Top Gun."

Shankman: Not like this.

MTV: For fans of the original, how closely does the film hem to the Broadway musical?

Shankman: It's pretty close. I mean, I changed who the villains are. They were Europeans in the play, and I wanted them to be more L.A.-based so it had more of a local resonance. The character Lonnie, the Russell Brand character, isn't the narrator. I didn't think the movie should have a narrator. But in terms of spirit, the boy-meets-girl and what happens to the boy and girl is very close.

MTV: Is there a favorite musical number for you?

Shankman: I never cease to be in awe of "Pour Some Sugar on Me" because it was Tom on his first day of shooting, and he spent the day performing it for a giant crowd, and Def Leppard showed up on set and were there. That was an incredibly crazy, magical day.

MTV: Conversely, there's always a scene or two that give a director pause. Any particularly difficult moments for you on the set?

Shankman: Well, I have one of those that turned into one of the best scenes in the movie. There's a giant protest outside of the Bourbon, where Catherine Zeta-Jones and all the anti-Bourbon moms and all the rockers are fighting and they do a mash-up of "We Built This City" and "We're Not Going to Take It." Then, you know, we had the baboon there and the baboon got loose, and it was a nightmare and nobody could move because it was going to eat your face off. And then we were standing there for 20 minutes stuck on the street. Bizarre, bizarre day. On top of which, it was just really daunting because there was a lot going on. We had Sebastian Bach and Debbie Gibson and all these rockers there from that period. It was insane.

Check out everything we've got on "Rock of Ages."

For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com.

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• Rock of Ages
• Summer Movie Preview 2012

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